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Photo via Flickr by Marcus Degenstein At first glance, Jane Austen’s Emma and Fyodor Dostoyevsky’s Crime and Punishment seem as different from one another as two novels can be. Their protagonists inhabit vastly different worlds and reckon with stakes orders of magnitude apart in their gravity; while Crime and Punishment’s Rodion Romanovich Raskolnikov trudges through […]
Congratulations to Dr. Christopher Marshall, who has been elected to the Royal Society of Canada in recognition of his contribution to outstanding Canadian scholarly, scientific and artistic achievement! Read more about Dr. Marshall’s election to the Royal Society of Canada here.
This year’s Arts One Student Journal is now up on the Arts One website! Read it here
The Communist Manifesto, by Karl Marx and Friedrich Engels claims that the material conditions of society are the foundation of our intellectual development. Their theory of dialectical materialism states that the notions we have about society are formed by our underlying social conditions.
“The Dissolving Blues of Metaphor”: Rankine’s Reconstruction of Racism as Metaphor in Citizen: An American Lyric
Photo via UBC By Vanessa Lee In Citizen: An American Lyric, Rankine deconstructs racism and reconstructs it as metaphor (Rankine, 5). Her formally and poetically innovative text utilizes form, figuration, and literariness to emphasize key themes of the erasure, systemic hunting, and imprisonment of African-Americans in the white hegemonic society of America. The structure, […]
Tommo, the main character and narrator in Herman Melville’s Typee, experiences many forms of captivity throughout the novel. He is physically confined to the whaling ship, Dolly, and he is held captive by the Typee islanders, but Tommo is a prisoner to something much more significant: his own cultural values.
Herman Melville’s Typee depicts cannibalism at a time when the practice’s nature, and even its existence, is an uncertain question for its contemporary readers. During the colonization of Pacific islands such as the Marquesas, on which Melville spent time after abandoning a whaling vessel and subsequently set Typee, groups indigenous to the islands were often assumed to practice anthropophagy, but evidence for these practices was primarily second-hand and of limited reliability.
In her series of lyric essays Citizen: An American Lyric, Claudia Rankine employs the pronoun “you” in both an accusatory and uniting fashion. The feelings of Black people are often neglected and scorned, and Rankine’s direct address to the reader highlights the microaggressions they experience.
“God is dead.” So said Friedrich Nietzsche in 1882’s The Gay Science, but for some, God had been dead long before Nietzsche wrote His death into the public consciousness and put in His place stood a new breed of men, the Übermensch. Before Nietzsche, there was Fyodor Dostoevsky who, at the time of writing Crime and Punishment in 1866, set out to deconstruct this type of man who epitomized a distancing from the church, something the reformed clerical reactionary could not let succeed.
From the saturated pages of Watchmen emerges Alan Moore and Dave Gibbons’ antihero protagonist Rorschach, a stark representation of black and white against the vivid colouring of Watchmen’s setting and other characters. As the only character that does not adorn any bright colours, Rorschach appears to become Watchmen’s moral centre—the black and white amidst the chaotic colouring of his environment.