“Review of Maria Semi, Music as a Science of Mankind in Eighteenth-Century Britain”

“Review of Maria Semi, Music as a Science of Mankind in Eighteenth-Century Britain”

“‘Out of your clinging kisses .. I create a new world’: Sexuality and Spirituality in the Work of Edward Carpenter”

“‘Out of your clinging kisses .. I create a new world’: Sexuality and Spirituality in the Work of Edward Carpenter”

“Introduction,” in “Religion and Sexuality” section of Victorian Review

“Introduction,” in “Religion and Sexuality” section of Victorian Review

“Modernity, Heterodoxy, and the Transformation of Religious Cultures”

“Modernity, Heterodoxy, and the Transformation of Religious Cultures”

“Havelock Ellis and John Addington Symonds, Sexual Inversion (1897)”

“Havelock Ellis and John Addington Symonds, Sexual Inversion (1897)”

“Imprinting performance: Editorial mediations of page and stage”

Thomson Nelson Guide to Writing in History (co-authored with J.W. Alexander)

Thomson Nelson Guide to Writing in History (co-authored with J.W. Alexander)

“English Renaissance Drama: The Imprints of Performance”

“English Renaissance Drama: The Imprints of Performance”

“Reading Shakespearean Violence”

“Reading Shakespearean Violence”

“What Does Science Have to Do with Music?”

“What Does Science Have to Do with Music?”