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Voices Rolling in the Deep

Voices Rolling in the Deep

In writing Austerlitz, Sebald endeavours to tell a story that, in its scope and controversy, is harrowing to tell. Faced with the barbarism of the Holocaust and the impossible challenge of bringing its victims’ histories back from the dead […]

child looking through hole in a wall

“He’s Coming To Steal My Eyes”: Vision, Survival, Connection, and Existence in Cormac McCarthy’s The Road

Sight is a profoundly important sense. Vision helps one navigate through the world, but it is also intensely emotional. It matters what we choose to look at, as well as what we allow to look at us […]

From Bodies Politic to the Body Politic: A Modus Operandi for a Modus Vivendi

From Bodies Politic to the Body Politic: A Modus Operandi for a Modus Vivendi

The Hobbesian state of nature both begins and ends with human nature. While Thomas Hobbes’ Leviathan is widely regarded as advocating a pessimistic view of human nature, Hobbes’ pessimism is not directed towards human nature […]

Technicolour Ideals: The Poison-Saturated Society of Plath’s The Bell Jar

Technicolour Ideals: The Poison-Saturated Society of Plath’s The Bell Jar

Colour permeates Esther Greenwood’s narration in Sylvia Plath’s The Bell Jar. Esther often articulates her visual perception in vivid colour. She particularly emphasizes the aesthetic of a film she watches with the Ladies’ Day girls.

picture of two women in party dresses from 1956, one whispering in the ear of the other

Forget the Juice Cleanse: Rid Yourself of Male Toxicity for a Fresh, Rejuvenated Glow! (Only $99.99 for a limited time)

The ability to embrace femininity has always been a uphill battle in relation to the issues women have dealt with in Western society: in recent years, liberating ourselves through our sexuality has become apparent […]

The Decolonization Manifesto: Marx and Muslims

The Decolonization Manifesto: Marx and Muslims

In The Wretched of the Earth, Frantz Fanon enhances a Marxist analysis by addressing the intersections of race, colonialism and capitalism. Fanon uses the terminology of Marx and Engels but applies it in different ways.

William Blake, A Surinam Planter in his Morning Dress, public domain on Wikimedia Commons

Asserting Meaning in Dabydeen’s “Brown Skin Girl”

David Dabydeen’s Slave Song addresses the dilemma of how to identify the ‘true’ voice of a Guayanese culture that has been clouded and corrupted historically by the voice of colonialism.

Dreams We Must Loathe

Dreams We Must Loathe

As the Man attempts to walk the narrow line separating blind optimism and consuming despair, he uses his dreams and memories to keep him situated on the difficult path of realistic survival.

“Discipline and Pianist: Foucault and the Genealogy of the Etude”